Foreign
Yunmeng county in Central China’s Hubei taps into rich cultural relics to develop cultural tourism
By Qiang Yuwen, People’s Daily
Yunmeng county in central China’s Hubei province is leveraging its rich historical and cultural resources to boost the development of cultural tourism.
The local authorities have explored a new path to drive cultural tourism with cultural heritage, with concrete measures such as establishing a research station for cultural relic protection, promoting innovations in preserving and carrying forward traditional arts like shadow puppetry, and developing cultural tourism projects.
Although Yunmeng county is the smallest county in Hubei province, it is home to over 5,000 pieces of cultural relics, including those recognized as Chinese national treasures.
At the end of 1975, 12 tombs dating from the late Warring StatesPeriod (475 B.C.-221 B.C.)to the Qin Dynasty (221 B.C. – 207 B.C.)were unexpectedly unearthed during the excavation of a water channel in Shuihudi, Yunmeng county.
In Tomb No. 11, several piles of bamboo slips caught the attention of archaeologists, who then meticulously collected, numbered, and cleaned over 1,000 bamboo slips from the tomb.
Soon after, experts identified these bamboo slips as historical records of the period when the seven states during the Warring States Period were unified under the Qin Dynasty, meticulously recorded by an official named Xi in over 40,000 neatly written Qin characters.
A major part of the records, in particular, is eighteen categories of Qin laws, which is considered the earliest and most complete legal code discovered in China to date, indicating that over 2,200 years ago, ancient China’s legal system had already been systematically established.
So far,a total of 36 Chinese national first-class cultural relics have been unearthed in Yunmeng, making it a favored destination for archaeologists.
In addition to thebamboo slips, the other cultural relics unearthed in the county include numerous precious woodcarvings, wooden lacquerware, and two family letters inscribed on wooden tablets, which were written by brothers Heifu and Jing to their brother in “Zhong” during the end of the Warring States Period, believed to be the world’s oldest family letter.
The Yunmeng County Museumhouses over 5,000 pieces of cultural relics, including 18 Chinese national first-class artifacts, making it a prominent one among county-level museums in China.
The raw lacquer for wooden lacquerware is highly valuable, involving intricate crafting processes. The large quantity of lacquerware unearthed in Yunmeng county attests to its past prosperity.
Li Lan, a researcher with the Hubei Provincial Museum, has been designated to dehydrate and reinforcethe newly unearthed lacquerware, as well as mending anyexisting damages.
Thetask is extremely complex.The dehydration process alone takes at least one to two years, and for larger pieces in better condition, it may even take over five years.
Previously, the Yunmeng County Museum, due to inadequate facilities, had to transport restoration-requiredartifacts to cities like Wuhan and Jingzhou in Hubei province.
The long-distance journey risked inflicting damage on the cultural relics, with even a slight mishap possibly causing significant harm.
The establishment of the Yunmeng workstation, a major research center for the protection of unearthed lacquerwareunder China’sNational Cultural Heritage Administration, has notably improved the conservation and restoration efforts in Yunmeng county.
Now, Li spends much of her time training local technicians in artifact restoration techniques.
To better preserve and inherit traditional culture, Yunmeng has consistently worked on innovatingboth the methods and content of cultural presentation.
Inspired by the story of the Qin Dynasty official Xi, Li Shenghua, president of the sports association of a residential community in Chengguan township, Yunmeng county, has led the local dance team in creating a show named “ink dance of Qin bamboo slips.”
In the performance, dancers dressed in traditional Chinese attire hold bamboo slips and use water sleeves to imitate the scene of historians recording events on bamboo slips with a brush.
The show won an award at a municipal-level competition during its first performance, and the team was even invited to perform it overseas.
In ashadow play theater in Chengguan township of Yunmeng county, innovative shadow puppet shows are staged tobring the audience closer to China’s history and cultural heritage.
One of the shadow puppet shows,created based on eighteen categories of Qin laws, is particularly popular.
In the show, an official in charge of law enforcement earnestly persuades his father not to burn straw, and brings the “village bully” harming the ecological environment to justice, eliciting frequent laughter from the audience with witty lines.
The show reveals to the audience that the culture contained in the Qin bamboo slips, spanning thousands of years, remains relevant tothe daily lives of people today.
Out of a passion for the arts and a desire to preserve culture through shadow puppetry, Liu Junming, a member of the Yunmeng county committee of the Chinese People’s Political Consultative Conference, has teamed up with localintangible cultural heritage inheritor Fang Dingmin and shadow puppet artist Qin Ligang to create a shadow puppet skit called “play within a play about Qin law.”
QinLigang is a Chinese national-level inheritor of Yunmeng shadow puppetrydedicated to the innovative development of this traditional art form.
Not confined to fixed music scores, Qin excels at incorporating current events into his performances.
“We must not only learn the old plays but also create new ones that capture the attention of young people,” Qin said.
The protection of traditional arts is like a rescue mission against “forgetting”, according to Qin, who noted that the more novel and relatable the art, the more likely it is able to impress the audience.
“Only by being remembered can it be passed down through generations,”he said.
A few years ago, Qin took on a “steel apprentice” – an intelligent robot equipped with sensors all over its body.
In 2017, Qin and the robot performed the classic play “Wu Song Fights the Tiger”in the Palace Museum in Beijing. During the performance, the robot led a shadow puppet tiger with its mechanical hand, executing lifelike movements programmed into it, capturing the attention of young audience.
“With the combination of artificial intelligence and our innovation, we won’t have to worry about traditional craftsmanship being lost,” Qin remarked.
Extracting unique cultural traits from its historical heritage, Yunmeng is exploring better ways to coordinate the relationships between cultural relic preservation, tourism, and commercial operations.
In recent years, the county has established an intangible cultural heritage exhibition hall,built a Qin bamboo slip memorial park, and improved its libraries and cultural centers, earning the title of the “hometown of folk culture and arts in Hubei province.”
Delving into its profound cultural heritage, this thousand-year-old small county is now radiating new charm.
Foreign
Shantou taps new growth momentum via AI token exports
By Li Gang, People’s Daily
As artificial intelligence (AI) accelerates the transformation of global industries, a new form of digital trade is emerging in the southern Chinese city of Shantou: exporting computing services measured not in physical goods, but in AI tokens.
In late April, Shantou, Guangdong province completed full-chain verification for what has become known as “token exports” — a model in which computing power remains within China while high-value AI services are delivered to overseas users. Within just one month, average daily token usage surged from 100 million to the tens-of-billions level.
The practical application of this model is already well underway.
Recently, when a user in Singapore activated an AI-powered toy and gave a simple command — “Tell me a fairy tale” — the spoken command traveled through the network directly to a dedicated overseas computing zone inside a computing center in Shantou.
Local deployed AI agents wrap up speech recognition in under one second and craft custom story content, firing the finished audio back to the Singapore-based toy device in as little as 0.1 seconds.
The user repeated the process multiple times, eventually listening to five stories in total. Approximately 100,000 tokens were consumed during the interaction and billed in real time at a rate of 2 yuan ($0.3) per one million tokens.
When payment arrived, a complete commercial cycle was achieved, marking the successful realization of Shantou’s “token export” model.
Tokens represent the smallest discrete calculation unit for large AI models to process information. They have become a key indicator of intelligent computing capacity and, increasingly, a new carrier of value in the digital economy.
Inside the China (Shantou) Pilot Zone for Economic and Cultural Cooperation with Overseas Chinese, token exports are already transforming the economics of electricity.
Today, overseas users across multiple countries and regions in Southeast Asia are accessing token services generated in Shantou.
“Data flows in from abroad and all processed outputs head back overseas, with zero compromise to end-user experience,” explained Cai Qichen, an engineer at the Shantou Branch of wireless carrier China Mobile. “Token costs have already been integrated into product service packages, making future usage more convenient.”
According to estimates from toy manufacturer SHOWMAC based in Shenzhen, Guangdong province, using Shantou’s computing services reduces costs by more than 30 percent compared with directly purchasing overseas computing resources.
Meanwhile, inside computing centers, turning electricity into AI tokens delivers dramatic value appreciation. A kilowatt-hour of electricity, which comes at a cost of roughly 0.5 yuan($0.07) , can be transformed through AI computing into tokens and then exported at a price of 11 yuan($1.6), representing a twenty-two-fold increase.
As one of eastern Guangdong’s major offshore wind power bases, Shantou has already connected 1.2 million kilowatts of installed capacity to China’s power grid.
The electricity itself does not need to cross borders. Computing power remains within China. What gets exported instead are high-value digital services, turning electricity into a form of hard currency for cross-border digital trade.
Ultra-low network latency forms the technical backbone making token exports feasible.
“More than half of China’s outbound bandwidth carried by international submarine cables lands in Shantou, and the city is also home to five undersea trunk cables linking destinations worldwide,” said Hong Zhebin, chief technology officer of the international submarine cable landing station operated by the Shantou branch of wireless carrier China Telecom.
“The latency between Shantou and Singapore is only 32.7 milliseconds, quicker than the blink of an eye,” Hong added.
Hong Yu with the Shantou Branch of China Mobile, added that Shantou’s overseas computing services offer stable response speeds, regulatory compliance, and substantial cost advantages.
“Our pricing is only 1/3 to 1/2 that of mainstream international platforms, while customer retention exceeds 70 percent,” Hong told People’s Daily.
Yet building a complete end-to-end system is only the starting point. Shantou is now attempting to transform itself from a transit city for digital infrastructure into an ecosystem hub.
Leading computing companies and developers are gathering rapidly. Pilot platforms have passed acceptance reviews. Commercial closed loops have already emerged in applications ranging from AI toys to intelligent manufacturing, with large-scale operations expected soon.
Shantou’s Chenghai district has long been known as the “toy capital of China.” As AI becomes increasingly integrated with the toy industry, the city has launched an AI toy innovation center and the Shantou AI Laboratory, striving to become the “AI toy capital of China.”
At the exhibition space of one local tech firm sits Amy, an AI desktop robot capable of fluid multilingual conversation.
“It is equipped with a multilingual intelligent voice interaction system capable of real-time recognition and conversation in dozens of languages,” said the company’s general manager Chen Ruifeng.
The technology has already been integrated into multiple AI toy products exported to countries including the United Kingdom, Russia, and Japan.
Shantou’s token export model allows AI toy manufacturers to access domestic large language models at costs far below those of overseas alternatives.
“The cost of using overseas AI models can be dozens of times higher than domestic models,” Chen said. The company’s AI toys currently run on Chinese large models including DeepSeek and Doubao.
“Token exports have significantly increased both product value-added and international competitiveness,” he said.
The Shantou branch of wireless carrier China Unicom, together with a Guangdong-based tech firm, has established dedicated lines connecting Shantou and Vietnam, delivering cross-border computing services to Aachen Sv, a Chinese-invested fiber-optic company operating in Vietnam.
Vietnamese users accessing large models such as DeepSeek and Qwen experience extremely low latency with zero packet loss. “In less than a month, more than a dozen companies have approached us for consultations,” an employee of the Guangdong-based tech firm said.
Meanwhile, the Guangdong branch of China Mobile has launched an OpenClaw intelligent agent framework, providing integrated AI service packages that allow traditional toys to complete intelligent upgrades in as little as 15 days.
From toys to textiles, cross-border e-commerce, and high-end manufacturing, tokens are increasingly becoming the digital fuel powering Shantou’s industrial upgrading.
Foreign
Sanxingdui Museum transforms ancient relics into interactive experiences
By Song Haoxin, People’s Daily
What if museum visitors could truly interact with cultural relics rather than merely observe them through glass displays? At the Sanxingdui Museum in southwest China’s Sichuan province, a specially designed interactive hall is revolutionizing cultural engagement.
Within this 1,300-square-meter space, nearly every exhibit invites touch, operation, or participation. Visitors immerse themselves in installations inspired by the ancient Shu civilization, blending education with entertainment.
By trying on replicas of headwear on bronze statues discovered in Sanxingdui Ruins, for example, visitors can not only take photos of themselves but also learn about the symbolic meanings behind different headpieces.
Guests can don replicas of bronze statue headwear from the Sanxingdui Ruins, learning their symbolic meanings while capturing photos. Augmented reality allows dancing alongside virtual Sanxingdui figures for social media sharing. A creation zone even enables “time travel” to experience ancient bronze-casting and construction techniques.
These innovations transform traditional museum visits, offering deeper cultural understanding through hands-on interaction. “This hall emerged from extensive brainstorming,” explained Zhu Yarong, deputy director of the management committee of the Sanxingdui Ruins site.
“We’re transitioning from passive relic viewing to interactive engagement, bridging the gap between audiences and history.”
Previously, museum experiences were largely one-directional with limited engagement. Visitors viewed relics through display cases, usually stopping mainly to take photographs, with relatively limited forms of engagement. By liberating artifacts from display cases into interactive settings, Sanxingdui is pioneering a shift from didactic presentation to open cultural dialogue.
Traditional exhibition spaces remain popular, while digital innovations attract growing interest. A VR project employs digital twin technology to recreate 1:1 scale excavation sites — complete with protective shelters and cabins — placing visitors at the archaeological forefront.
Another project, Heaven and Earth Echoes — Sanxingdui Panoramic Sound and Vision Digital Art Theater, features an interactive panoramic LED dome with a diameter of 20 meters and a resolution approaching 16K. The massive dome creates a deeply immersive atmosphere. By waving digital torches in their hands, visitors can trigger sacred birds to circle above them across the dome, experiencing the ancient Shu civilization through an interplay of sound and imagery.
“The digital technology made me feel as if I were racing across the Mamu River. That sense of traveling through time was incredible,” said Hao Yong, a tourist from southwest China’s Chongqing municipality who came specifically to experience a virtual reality program.
From passive observation to active participation, Sanxingdui Museum continues introducing new interactive experiences that transform cultural relics into living carriers of dialogue and engagement, helping keep the sparks of Chinese civilization alive for new generations.
Foreign
A living testimony about MKA: The Aondoakaa that I know Written By Brahms Tor-Ikuan
My people of Benue State,
I am not speaking to you today as a politician. I am speaking as a brother whose family was held up by Chief Mike Kaase Aondoakaa, MKA, when we had no one else to hold onto.
My elder brother, Verem Ukaa-Ikuan, was not just my blood. He was a very dear and close friend to Chief MKA. When my brother fell ill and was diagnosed with liver damage caused by poisoning, MKA didn’t treat it as someone else’s problem. He took it on as his own.
He worked closely with Verem during his time as Attorney General of the Federation, and when the sickness came, he moved immediately. Searches were conducted, and Apollo Hospital in India was earmarked for a liver transplant. Every travel arrangement was made personally by Chief MKA.
But we hit a wall. Verem was too weak to fly a long commercial flight. Only an air ambulance could get him to India alive. At that time, there was only one functional air ambulance in the entire country, owned by Julius Berger. It was completely out of reach for even the most high-profile citizens.
Chief MKA went all out. He did not give excuses. He did not delay. He used every connection and every ounce of influence he had to secure that air ambulance for my brother.
On the day it was secured, Barr. Terna Yaji, his Senior Special Assistant, called me a few minutes after 6pm. He told us to prepare Verem for departure and take him to Makurdi airport very early the following morning. I informed him, my brother passed on at exactly 6 o’clock a few minutes ago. I told Barr. Terna Yaji, and I saw a devastated MKA.
During the burial, Chief MKA was out of the country on national assignment. He was pained that he could not be there physically. His entire team, led by the late Onov Tyuulugh, represented him fully. And his message to us at the burial has never left me:
“If death were law, as the Attorney General, a law would have been made no matter what to ensure Verem will just not die but live forever.”
That is who Mike Kaase Aondoakaa is when nobody is watching. He does not abandon his people. He does not forget. He stood with our family then, and he has stood with us till date.
Now he is asking for the chance to govern Benue State.
Benue needs a governor with a heart like that. A governor who fights for you even when there’s no political gain. A governor who sees you as family, not as a vote.
I am standing with Chief Mike Kaase Aondoakaa for Governor of Benue State.
For compassion that moves to action.
For loyalty that does not fade.
For leadership that proves itself in the darkest hour.
Join me. Let us give Benue a leader who has already shown what he will do for us.
God bless Chief Mike Kaase Aondoakaa.
God bless Benue State.
Brahms Tor-Ikuan, a beneficiary of MKA’s benevolence writes from Makurdi
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