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Seize opportunities for better future of Chinese science fiction

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By Liu Cixin

I ventured into the realm of science fiction creation, deeply inspired by the wonders of science.
I can still vividly recall the exhilaration I felt when reading the news of the first landing by humans on the moon in my childhood. Over the years, I have imagined countless scenarios of Chinese astronauts walking in space. Now, when I see the frequent launches of the Shenzhou spaceships, and watch Chinese astronauts on space missions on TV, I am occasionally overwhelmed by a surreal feeling – are these truly happening?
In recent years, China’s science fiction industry embraced rapid development and received wide attention. This couldn’t have happened without the overall progress of society, including advancements in the aerospace industry and the wide application of Internet technologies. We are amid rapid modernization, industrialization and digitalization, with opportunities and hopes, as well as pressure and challenges. We marvel at the wonders of science, and expect science and technology to bring a better life to human beings. These all provide a fertile ground for the prosperity of the science fiction industry.
Science, the source of strength for science fiction
Science fiction is an outcome of the modern scientific and technological revolution. In the early 19th century, scientific and technological advancement promoted industrial revolutions and triggered people’s imagination and aspirations for the future. That was how science fiction literature came into being.
As mankind entered the age of electricity from the age of steam between the 1920s and 1960s, the progress of science and technology once again demonstrated the overwhelming power to change the world. The revolution in physics, represented by the theory of relativity and quantum mechanics, has brought people whole new horizons. People’s admiration for the power of science and the longing for the future reached a climax during this period, leading to a flourishing era for science fiction works.
Based on science, science fiction creates a sci-fi universe different from the real world. Although science fiction writers imagine the future worlds, they aim not to predict them. It doesn’t really matter whether a science fiction book’s predictions come true in the future when evaluating its quality. Many science fiction writers, including myself, intentionally choose settings that are unlikely to be realized to tell stories, and use novel perspectives to show the wonders and marvels of science, thus allowing people to experience the beauty of science.
After 200 years of development, countless science fiction works have already envisioned the future in various ways, and it is sometimes questioned whether science fiction will continue to be creative in the future. In my opinion, the creativity of science fiction is infinite. Even traditional themes can be revitalized, depending on how you portray them.
For example, the classic science fiction short story “A Walk in the Sun” depicts a sole survivor of a terrible crash landing on the moon, who must keep walking continually on the surface of the moon to stay in the sunlight with a wing-like solar panel, in order to stay alive. This is a straightforward narrative with a classic moon landing theme, yet it is amazingly well-written.
In my perspective, as China’s aerospace technology continues to advance, it would be a big hit to use a “micro-realism” approach to depict how an engineering team builds a space power station and a lunar base.
Moreover, with progress in science, new fields will constantly emerge, offering new themes for science fiction. Highly developed modern scientific fields, such as physics, cosmology, and molecular biology, show us a more magical, broader, and more unpredictable universe and nature, which contain rich resources for science fiction creation. However, they also make basic science today more complicated in theory and more difficult in mathematical expression, which is hard for non-professionals to understand. How to fully tap into these resources is a great challenge for science fiction writers, and also a hope for the development of science fiction literature.
In the face of the unknown, science fiction should always present fresh, original and surprising concepts to keep readers interested. To achieve this, science fiction writers should always maintain a young mindset, keeping their imagination in sync with the times.
To release beauty from scientific equations
Expanding people’s imagination is an important mission of science fiction. The well-known “Gravity,” a very pure science fiction movie, shows us that for science fiction creation, the most important thing for the creators is to have a poetic feeling towards the universe. Good science fiction works present to us a drop of water from a perspective of the vast ocean, bringing people out of their limited vision to experience a broader world beyond reality.
Science is the source of strength for science fiction, while the beauty of science is often confined within scientific equations. Ordinary people need to make tremendous efforts to catch a glimpse of its brilliance. But once it is presented, its impact and power of purification to our soul are immense, which is difficult to be achieved by other genres of literature. Science fiction is a bridge to the beauty of science, releasing this beauty from equations and presenting it to the public.
The success of science fiction largely depends on the attraction of their mind-blowing imagination. The Big Bang theory of modern cosmology is spectacular and awe-inspiring. The long journey of life evolution is twisted and romantic. The poetic view of spacetime in general relativity, the magical microcosm in quantum physics… The worldview revealed by science is far beyond our imagination. How can writers present such beauty of science?
“Macro-detail” is a technique exclusive to science fiction literature. Although every narrative needs details, the treatment of details has evolved in science fiction. I can imagine a short story—I will call it “Singularity Fireworks”—which describes a group of super-consciousnesses for whom the Big Bang is nothing more than a firework display. The work uses a few words to depict the talks and feelings between two entities before and after the firework, yet it encompasses the history of the universe since the Big Bang in spacetime, unfolding a vision of a supra-cosmos beyond our universe. In my opinion, this kind of “macro-detail” best embodies the characteristics and advantages of science fiction literature.
Since engaging in science fiction creation, I have been looking for story resources from scientific and technological advancements, endeavoring to express the direct and tangible connection between the insignificant human and the grand universe based on scientific principles. In the beginning, the universe was smaller than an atom, and everything was one. This determines the natural connection between the minuscule parts of the universe and the grand whole. Even though the universe has expanded to today’s scale, I believe this connection still exists, and the evolution and changes of the universe are closely related to the lives and destinies of every human being. When I create stories, I always endeavor to envisage several scenarios of the specific connection between humans and the universe, and turn this imagination into captivating and uplifting tales.
Of course, science fiction does not always depict the future and imagination; it also encompasses the present and reality. Taking my novel “The Three-Body Problem” as an example. The first part portrays a fictional past with a strong sense of reality, in order to spark readers’ imaginations. The second part is a long journey from reality to imagination. The third part is a pure science fiction novel with a prominent “science fiction fan” vibe. Starting from reality to a distant and ethereal world is a typical structure of traditional science fiction, and also a narrative mode that Chinese science fiction readers are accustomed to, from reality to the future.
To seize the chance for innovative development
Science fiction movies have had a significant impact on me. The way I tell stories and construct visual imagery are both influenced by science fiction movies. Images are powerful, and many imaginative concepts in science fiction can only be portrayed through visual means. In this regard, films have a significant edge over printed words.
However, due to the low publishing cost and the relatively fixed readership, authors have more room for creation and can explore more innovative ideas and storytelling techniques. The production cost of science fiction films is much higher, as they need to fight for a wider and more diverse audience’s attention. Films need to consider audience acceptability of innovative forms and content, and find a balance point in artistic expression.
In recent years, both science fiction literature and films have played to their respective strengths. The adaptation of some science fiction novels into films and TV series has brought science fiction to a wider audience, driving the growth of the science fiction industry. To further develop science fiction literature today, efforts should be made to expand the pool of Chinese science fiction writers, so that more talents and works will emerge. The development of science fiction films and TV series requires an increase in talent and experience reserves, providing more opportunities for the new generation of screenwriters, directors, and producers to participate in creation. Additionally, it is crucial to strengthen international cooperation and accumulate more mature production experience.
Promoting the development of science fiction raises new requirements for literary theory and reviews. For example, the technique of “macro-detail” and other science fiction creation methods urgently need theoretical refinement to form a conscious expressive technique. Science fiction criticism also needs to keep pace with the times, breaking free from the constraints of using an outdated perspective to view new works and phenomena. Innovative theories and sharp, vibrant comments can certainly drive the development of science fiction creation.
Science fiction works contribute to cultivating the science fiction imagination of young people, stimulating their creativity and innovation abilities. Science fiction education can be properly introduced into school education, by adding science fiction content to textbooks, or cultivating children’s interest through online science fiction creations. It is believed that a considerable number of young readers and viewers will enjoy science fiction, thereby initiating a conscious exploration of science fiction and science.
Chinese science fiction has shown great momentum and potential. We must seize this opportunity to make the industry stronger.
(The article is compiled by Dong Yang based on an interview with Liu Cixin.)
Liu Cixin was born in Yangquan, north China’s Shanxi province in 1963. He has a bachelor’s degree and is a senior engineer, as well as a science fiction writer and a member of the China Writers Association. His representative works include the novels “Supernova Era,” “Ball Lightning,” and “The Three-Body Problem” trilogy, as well as short fiction such as “The Wandering Earth,” “The Village Teacher,” and “Full Spectrum Barrage Jamming.” “The Three-Body Problem” trilogy is widely regarded as a milestone in Chinese science fiction literature.

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Understanding the history of World War II to build a peaceful future

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By Zhu Chengshan

“Dead To Rights,” a film about the Nanjing Massacre during World War II, recently premiered in China to significant acclaim, sparking a surge of interest in domestically-produced war films this summer.

Historical truth transcends time, possessing both revelatory power and enduring impact. The film portrays 15-year-old Luo Jin, an apprentice at Nanjing’s Huadong Photo Studio, who uncovered harrowing evidence while developing photographs for Japanese officers during the city’s occupation. The images captured scenes of mass killings, rape, and other atrocities committed against Chinese civilians by Japanese aggressors.

At great personal risk, Luo secretly duplicated dozens of the images and compiled them into an album. These materials were later safeguarded by Wu Xuan, a patriotic student, ultimately serving as pivotal evidence at the trial of Hisao Tani, the principal perpetrator of the Nanjing Massacre.

The true history cannot be erased. No matter how relentlessly Japanese right-wing forces or historical revisionists attempt to rewrite the past, their efforts are ultimately futile.

Does that painful chapter of history still carry meaning in our time? The answer is unquestionably yes. Patriotic education remains a lasting theme.

Chinese President Xi Jinping pointed out that the responsibility for war crimes lies with a few militarists, but not the people. However, people cannot at any time forget the severe crimes committed by aggressors. The Nanjing Massacre, committed by Japanese aggressors, was an atrocious anti-human crime and a dark page in the history of humanity.

This blood-soaked memory serves as a solemn reminder: when a nation is poor and weak, its people become vulnerable to the gravest violations of fundamental rights. We must never forget these historical lessons nor allow such tragedies to recur.

History serves both as the best textbook and dose of sobriety. The Nanjing Massacre remains one of the darkest and most harrowing chapters in the Chinese People’s War of Resistance Against Japanese Aggression. This is a historical truth universally acknowledged by the international community.

Throughout the war, more than 35 million Chinese soldiers and civilians were killed or wounded. China suffered direct economic losses of over $100 billion and indirect losses exceeding $500 billion, calculated in terms of 1937 levels.

As China commemorates the 80th anniversary of the victory in the Chinese People’s War of Resistance Against Japanese Aggression and the World Anti-Fascist War, we recognize this conflict as modern China’s longest and largest struggle against foreign aggression..Despite paying the heaviest national price, it culminated in the Chinese people’s first complete victory in their fight for liberation – a triumph that belonged not only to China but to all peace-loving people worldwide.

A truthful understanding of World War II history is fundamental to building lasting peace for the present and the future. China’s prolonged resistance tied down vast numbers of Japanese troops, shattering the scheme of Japan joining forces with fascist Germany and Italy to launch a two-front assault and dominate the world.

As the main Eastern battlefield of the anti-fascist war, China’s war of resistance made a critical contribution to its worldwide victory and the cause of justice and freedom for humanity. Franklin D. Roosevelt, then U.S. President, once commented that without China, or if China had been defeated, many more Japanese divisions would have been deployed to other areas.

Today’s world is undergoing profound changes unseen in a century, and these changes are accelerating. Hegemonism, power politics and Cold War mentalities alongside growing economic coercion is on the rise. In the face of these challenges, the Chinese people feel more deeply than ever the importance of patriotism, unity, and self-strengthening.

This makes it all the more vital to confidently share the great significance of the victory in the Chinese People’s War of Resistance Against Japanese Aggression, and to highlight the decisive role of the main Eastern battlefield in the global fight against fascism.

To promote enduring peace and stability across the world, we must engage with history in a spirit of sincerity and humility – drawing wisdom from its experiences, and learning from its lessons, so that the true history can guide the way forward for all humanity.

(Zhu Chengshan is a Professor at Changzhou University, former vice president of the Chinese Society for the History of the War of Resistance Against Japanese Aggression, and former curator of the Memorial Hall of the Victims in Nanjing Massacre by Japanese Invaders)

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Chinese products bring coolness to European consumers

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By Li Gang, People’s Daily

With heat waves sweeping across Europe this summer, demand for Chinese-made air conditioners (AC) is rising, signaling a shift in the region which is long accustomed to getting through the season without cooling systems.

Customs data reveals China’s air conditioner exports to EU countries reached $3.76 billion during the first half of 2025, representing a 43.2% year-on-year increase and setting a new record for the period. This growth continues the robust export momentum established in 2024.

Air conditioning is not as widely used in Europe as in many other parts of the world, due to high rental rates, deeply rooted awareness of environmental protection, and the high cost of installation and operation. Drilling into walls is often banned in historic buildings, and landlords generally won’t approve outdoor AC units. Installation must be carried out by certified professionals, often costing several hundred euros, with regular maintenance required.

To cope with the situation, Chinese air conditioner brand Midea has rolled out a portable split-type air conditioner for the European market. Portable, quiet, and comfortable, the product meets the needs of local consumers and is popular in Germany, France, Italy, the Netherlands, and beyond.

“This model has indoor and outdoor units, but unlike traditional split-type AC units, it’s easy to install and can be moved around. Its cooling performance is excellent,” said Zhu Zhou, sales director of Midea Residential Air Conditioners in Europe.

In Northern Europe, buying and installing an AC can cost around 3,000 euros. It’s a bit cheaper in Western and Southern Europe. The portable split-type AC is priced at 1,199 euros, users can save a lot by installing it themselves, Zhu said.

The spike in demand has ramped up production. At Midea’s smart factory in Nansha district of Guangzhou, south China’s Guangdong province, assembly of the portable split-type AC units is running in an orderly manner.

“We’ve shipped over 80,000 units so far, with another 20,000 scheduled for production,” said Sun Qi, head of production planning at the factory.

Midea has established dedicated production lines to ensure quality and output. The AC products are shipped to Europe via sea and the China-Europe freight trains. The sea freight route begins at Nansha Port in Guangzhou, passes through the Strait of Malacca, rounds South Africa, and arrives at the Port of Rotterdam, the Netherlands.

The rail freight route begins in Guangzhou, exits China via Horgos Port, and travels through Kazakhstan, Russia, Belarus, Poland and other countries before arriving in Germany. In the first half of the year, Midea’s AC sales in Europe rose 35 percent.

Multiple Chinese brands are gaining traction. The portable AC products of TCL DeLonghi, a joint venture between home appliances groups TCL and DeLonghi, are also selling well in Europe.

“Our sales are up 25 percent this year in the European market,” said Du Quanbin, head of market management at the overseas marketing center of TCL DeLonghi Home Appliances (Zhongshan) Co., Ltd., located in Nantou town of Zhongshan, Guangdong.

Production lines at the company’s production workshop are running at full capacity. According to Du, orders for Europe have already been shipped, and the products being made will be sent to countries such as Australia, New Zealand, South Africa, and Argentina, stocking up in advance for summer in the Southern Hemisphere.

Beyond air conditioners, Chinese-made cooling products are becoming common in German homes. German consumers report these offerings combine affordability with innovative features.

Stephen, a Berlin plumber who frequently works in uncooled environments, recently purchased a Chinese-made cooling uniform from a department store. The garment features breathable, heat-resistant fabric with UV protection and specialized cooling technology that maintains body temperatures up to 15°C below ambient conditions – a practical solution for extreme heat.

Shenzhen-based appliance supplier Weikenxiong observed a March surge in European orders for compact electric fans, now selling approximately 200,000 units monthly at over 100 euros each.

“This product was once a hit across Southeast Asia,” said Yu Yuewu, head of Yuecheng Plastic Products Factory in Longdu town, Chenghai district, Shantou of Guangdong. Holding one of the fans, Yu explained that it features an energy-efficient motor for powerful airflow, semiconductor cooling, and a built-in power bank, providing a steady stream of cool air.

The European market places strict demands on energy efficiency and environmental sustainability. “To maintain long-term market growth, the industry chain must push technological boundaries by adhering to high standards,” Yu added, expressing optimism about future prospects.

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Trump Condemns Killings of Christians in Nigeria, Promises Strong Response

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By: Fabian Apechihin

The United States has issued a strong condemnation of recent massacres targeting Christians in Nigeria and across sub-Saharan Africa, describing the violence as “horrific” and pledging coordinated action with international partners.

The statement follows a series of deadly incidents, including the slaughter of 27 Christians in Bindi Ta-hoss, Nigeria, by suspected Islamist Fulani militants. Witnesses said many victims—women and children among them—were burned alive while sheltering in a church.

“I lost my wife and second daughter in the attack,” survivor Solomon Sunday told reporters. “They were burned alive.”

Just days earlier, on July 27, 49 Christians were hacked to death with machetes during prayers in the Eastern Democratic Republic of Congo. Authorities blamed the ISIS-linked Allied Democratic Forces. Across the region, groups such as Boko Haram and ISIS West Africa are accused of killing, displacing, and seizing land from Christian communities.

“The Trump administration condemns in the strongest terms this horrific violence against Christians,” the White House said, stressing that defending religious freedom is both a moral obligation and a U.S. foreign policy priority.

Human rights organisations have labelled the attacks a campaign of “ethno-religious cleansing.” John Eibner, president of Christian Solidarity International, noted that over 165 Christians have been killed in Nigeria’s Plateau State alone in the past four months. “People are being killed like chickens, and nothing is being done,” added local youth leader D’Young Mangut.

According to Open Doors, more Christians are killed for their faith in Nigeria than in the rest of the world combined. Over the past decade, jihadist violence in sub-Saharan Africa has claimed about 150,000 lives and displaced more than 16 million Christians. In Plateau State, more than 64 communities have reportedly been seized by armed Fulani militants.

Religious leaders warn the violence is systematic. Bishop Wilfred Anagbe, who lost 20 parishioners in a recent attack, accused militants of seeking to transform parts of Nigeria into an Islamic State. Families of victims say they are “tired of condolences” and demand tangible protection.

Henrietta Blyth, CEO of Open Doors UK and Ireland, called for urgent global attention: “For too long, nobody has been talking about the horrific wholesale slaughter of Christians. The Western world needs to wake up and be outraged.”


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